Dress, as a cultural form, runs through the history of ancient China.

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The evolution of history, the development of economy and the evolution of Chinese cultural aesthetic consciousness can be seen in the evolution.

Whether it is the "solemn and solemn" of the Shang Dynasty, the "orderly order" of Zhou, the "freshness" of the Warring States, the "dignified" of the Han Dynasty, the "lean" of the Six Dynasties, the "full bloom" of the Tang Dynasty, the "rational beauty" of the Song Dynasty, the "bold and bold" of the yuan, the "magnificent and luxuriant" of the Ming Dynasty, and the "ingenious and beautiful" of the Qing Dynasty, all of which reflect the aesthetic design tendency and ideological connotation of the Chinese ancient people.

But in a certain period of time, the aesthetic design tendency and aesthetic consciousness are not born out of thin air. It must be rooted in a specific era. In the complicated and complicated social reality, only when this particular aesthetic consciousness is placed in a specific social historical background can we see its original appearance.

The idea of "harmony between man and nature" is the quintessence of ancient Chinese culture. It is a philosophical view accepted by Confucianism and Taoist two. It is the most profound source of Chinese traditional culture. This concept has produced a unique design concept, that is, all kinds of works of art are regarded as products of the whole self, and the design of handicrafts is viewed from a comprehensive and holistic viewpoint, and clothing is no exception.

Clothing is the result of human unique labor. It is not only the crystallization of material civilization, but also the implication of spiritual civilization.

Through ignorance, barbarism and civilization, human society has been moving slowly for hundreds of thousands of years.

Our ancestors, after their farewell to apes, looked at the skins and leaves, and wandered in the wind and rain for countless years. Finally, they finally stepped into the threshold of civilization, and learned how to hide their bodies and create another material civilization.

However, the pursuit of beauty is human nature, and clothing is to people, such as gold in Buddha, its role is not only in covering up the body, but also beautifying the function.

Almost from the day of the origin of clothing, people have accumulated their life customs, aesthetic tastes, color preferences, and all kinds of cultural mentality and religious concepts, which have become the spiritual civilization connotation of clothing culture.

Just like Chinese culture, it is generated by the infiltration and influence of all nationalities.

Since the Han and Tang Dynasties, especially after modern times, a great deal of assimilation and melting of the outstanding cultures of the world's foreign cultures has been able to evolve into a whole so-called Chinese dress culture with Han nationality as its main body.

This is the conclusion of American anthropologist English Fei: "a cultural project is the result of external infiltration, or the product of natural independent invention. This issue is very critical for those who focus on historical heritage, and it is also important for those who use comparative research methods.

We can say for sure that in all cultures, more than ninety percent of the content comes first in the form of cultural infiltration.

Clothing is a symbol of status, a symbol, representing the political status and social status of a person, so that everyone can keep his own part and not to overstep it.

Therefore, since ancient kings were the way of administration, costumes were very important.

The political order has also been completed.

Therefore, in Chinese tradition, clothing is a part of politics, and its importance far exceeds the status of costume in modern society.