I sat quietly beside the CD player and listened to the youth who were flying in the guitar noise.

In fact, I heard SUPERCAR very late. The first thing I heard was "FU-TURAMA", sweet voice, sweet life, and I wanted to know the situation of this independent music group through the information, and then found that they were not always the school of electronic voice. The early music followed the British school and the SHOEGAZE strong feeling.

SHOEGAZE has always been fond of it. Those who stare at shoes are more likely to be shy of the shy children who grow up behind the guitar's dizzy sound than the hero who makes the acoustic noise of the guitar.

The SUPERCAR band, born in Aomori, was mistaken for the Shibuya band in the authoritative AMG. In the United States, the Japanese rock band of the past generation is probably mixed with Shibuya.

In 1997, the four group SUPERCAR released the first single CreamSoda, the smooth and clear melody, very much like a BRITPOP group. Later, they published their first album "ThreeOutChange" in the following spring. A year later, their second album "JumpUp" hit the list. Their status was confirmed. After that, SU-PERCAR continued to try new styles, from the guitar band to the electric music group. In early 2005, the band quietly disbanded, but their status as Japan's independent music class hegemony became more and more obvious as the years passed.

Earlier this year, KI/OON launched the 10th anniversary commemorative edition of ThreeOutChange. In addition to careful packaging, it added a BONUSCD, which included many versions of the band's early single, which capsized fans.

The voice of sweetness is also showing off childish. The voice of male voice and guitarist Nakako is not as tender as it was later. The sound wall of the guitar guitar Junji also clearly recognized the shadow of JESUSANDMARYINCHAIN, and the drum of Kodai could hear a child. No matter the structure or melody, the Kodai drum was so old and sometimes rough, but the youthful spirit that came from the face was attacked by the ears of the listener. Grief, joy, anger, and sex were inclined to the 78 minute voice journey. Compared with the later lightness of leisure, the SUPERCAR was more sensitive and impulsive than before, and was completely blooming in immature youth. At this initial moment, there was almost no sound in the band's voice, and the bassist and the tonic Miki.

Most SHOEGAZE bands shine only when they are young. When they mature into adults, their music is more perfect, but no earlier emotional impact.

SUPERCAR failed to escape this fate. They chose the electric sound and pformed into another character. They knew that their youth's flames were on the tip of the shoe at the earliest time, and turned into smoke and disappeared in the sky.